About twilightdawning

Amongst other things, I write professionally. I've been published everywhere from the small (Barnsley Chronicle), to the large (London Sunday Times colour supplement). I primarily write about music, theatre and sport. Most of the articles here have been previously published. No copyright infringement intended I also work in the music world. I've worked as a producer, promoter and general ideas man and conceptualizer. At the moment I'm working with Sad Cafe among others. I'm building a theatre. It's almost done after three years of planning and trying to be kind to my architect and my builders. We open in October 2012. I run a theatrical production company called "The Shakespearience". We perform an introduction to William Shakespeare for young people. Most of all I work in the charitable and faith sphere. I'm senior pastor of an unusual church in central London. I'm a busy man.

I Never Thought it Possible or Likely…

What: The Taming of the Shrew by William Shakespeare

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: The Royal Shakespeare Company (RSC)

When: 19th March 2019

The Royal Shakespeare Company when announcing their 2019 season said that they were going to show the relevance of Shakespeare’s writings to the modern era. There is no question that they have attempted this – although they could be accused of majoring only on one contemporary issue.

Like a percussionist surrounded by many instruments but beating on only one drum, they have taken up only the issue of gender. This meant that in the seldom-performed “Timon of Athens”, they left us wondering what the value of the change of gender was – although it did give some opportunity for strong female character actors in the principal roles. Very few of the audience would know the original play well enough to appreciate the difference that making all the lead characters female had made. Then there was As You Like It where the gender swaps caused a complete meltdown in the second half of the play as an already complex plot became just too untidy.

But with The Taming of the Shrew, by George, I believe they may have added in something worthwhile.

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Steely Dan today…

Who: Steely Dan

Where: SSE (Wembley) Arena, London, UK

When: 25th February 2019

What happens when one of the founder members of a rock band dies? There are, of course, no rules in these matters but it is something that will become more and more a matter of debate as the generation of the great rock bands reaches a certain longevity where members reach their middle-60s and 70s.

What happens next?

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We are not alone unhappy: This Wide and Universal Theatre…

What: As You Like It by William Shakespeare

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: The Royal Shakespeare Company

When: 21st February 2019

Kimberly Sykes’ direction of the current Royal Shakespeare Company (RSC) production of “As You Like It” has many strengths but there are some self-created weaknesses which it seems to me have little to do with the writing of the Bard of Avon. The peculiar things is that they are similar flaws to those present in other recent productions by the RSC and those were handled by other directors. I hate to be repeating myself but… What is going on here?

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Sweet Tidings of Loudness and Joy

Who: Sweet

Where: Nell’s Jazz and Blues, West London, UK

When: 19th December 2018

What: Live in Concert (50th Anniversary Tour)

Last Christmas on the 15th of December I was stood just in front of the stage as Sweet tore up Nell’s Jazz and Blues playing to a packed house and delivering an uproarious set. Well, having started a good tradition, why break and so I and they are back just a little over a year later for more of the same.

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We stand much hazard, if they bring not Timon.

What: Timon of Athens by William Shakespeare

Where: The Swan Theatre @ The Royal Shakespeare Theatre, Waterside, Stratford-Upon-Avon

Who: The Royal Shakespeare Company (RSC)

When: 13th December 2018

It has been a strange year for the Royal Shakespeare Company (RSC). It just got stranger. Their take on – should I say adaptation of Timon of Athens – is an unusual one. And that is to say something quite remarkable because this play is seldom performed.

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A Comforting Old Wooden Chair (Foreword to a Bob Dylan book)

(Sometime over the last few years I was approached to write a “blurb” for the cover of a book of thoughts about Bob Dylan by an Australian author, Phil Mason. I’ve never met Phil but I’ve been privileged to help him with his research. By the time the book was approaching readiness, the idea had expanded and I wrote a foreword for the book which eventually appeared under the title of “A Voice From on High”. As well as reproducing that foreword here, I take the opportunity to recommend Mr Mason’s book which can be obtained through Amazon in softcover and for your kindle.)

 

“Well I’m sitting in church
In an old wooden chair
I knew nobody
Would look for me there”

Bob Dylan – Marchin’ to the City (Disc 3 of Tell Tale Signs 1989-2006)

In 1707, Isaac Watts, the Christian hymnwriter, wrote a lyric called “Marching to Zion” in which he referred to Zion as the beautiful city of God. Now, this was long before Zion had become a short-hand for some Western European political scheme to establish a physical homeland for disenfranchised Jewish people in the middle East (a scheme commonly referred to as Zionism). It is Watts looking forward to the end of an earthly journey where all the faithful people of God, Jew and Gentile, would be gathered in to an eternal home.

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