Anything Goes Where No-one Knows Your Name

It’s been a quiet year on the live front for John Foxx. That’s why it was doubly good to catch him and Louis Gordon and Steve D’Agostino at the Cargo in Shoreditch, London last night.
John dipped deep into his current songwriting and back catalogue last night. A handful of songs from his days with Ultravox! all those years ago including  Young Savage. It’s brave to attempt this on synthesizers and I’m not sure it quite works but it sure was fun. As John spat out the lyrics with gusto you could forget that punk was thirty years ago and that Johnny Rotten now advertises butter.
Loudest cheers of the night were reserved for Underpass and No-one Driving from Foxx’s debut solo "Metamatic" but musically the high points may have been the rarely-performed "The Garden" and another Ultravox! classic "The Man Who Dies Everyday". Particular credit also goes to encore "Broken Furniture" which debuted on John and Louis’ "Crash and Burn" in 2003.
The evening coincided with the release of two new limited edition Foxx / Gordon albums – the studio set "Impossible" and a live document from last years gig at the Luminaire entitled "Neuro Video".

Set List:

WALK THIS WAY
A MILLION CARS
DISLOCATION
THE MAN WHO DIES EVERY DAY
CAMERA
UPTOWN/DOWNTOWN
UNDERPASS
NO-ONE DRIVING
BURNING CAR
SHADOW MAN

THE GARDEN
TRAVEL
BROKEN FURNITURE
YOUNG SAVAGE
MY SEX 1/
MY SEX 2
ENDLESSLY
SHIFTING CITY

Footnote: Foxx is usually pretty considerate of his audience but last night a show that was billed on the website to begin at 7 pm saw John take the stage at 9.15 – a tactic which is perhaps best avoided in future as the natives were getting restless by that time. Interestingly, following Shifting City the house lights were left down for what seemed like an interminably long time given the impression that an encore was coming which never arrived. Wonder what was going on backstage?

Louis Gordon had been kidnapped and replaced by that guy who used to play Nigel in Eastenders………..

Hanging with the Andronici…

Still with Titus Andronicus. Whenever I’m trying to really study Shakespeare as opposed to reading for fun (is this boy sane?), I always find that I gravitate towards the Arden version. The individual volumes of the Arden Shakespeare are generally the best informed, best researched with the best grasp of the play’s background. This certainly works with Titus Andronicus, although you’ll need to avoid the 2nd edition which isn’t worth the admission price purely because the editor didn’t like the play. The third edition, however, has many reasons you should acquire it. Not least is the pithy, witty and enthusiastic style of its editor, Jonathan Bate. Another reason is the cover artwork which would be worth purchasing if you didn’t want the play. The artwork is by one Dennis Leigh who seems to have reached peaks in many disciplines. Even if you haven’t heard of him, and don’t know me personally enough to have had your ear bent by my enthusiasm for his work, you may have come across him in his alter-ego of John Foxx. Anyway, here’s a reproduction of the cover:

Close inspection of the image reveals a man’s image, on the forehead, holding a suffering child and a female figure whose image ends before the hand at the point it meets the mouth of the main image. With depictions of torture running up both cheeks, we have an extraordinary image which wordlessly (suitably) covers the main themes of the play. Excellent!

For those who are a little less inclined to the highbrow, it’s worth noting that John Foxx and Louis Gordon will only be playing one UK gig this year. It will be at the Cargo, in North London in October (16th). I’ll see you there. Those who want to aim for the middle ground might want to try Foxx’s solo concert in Leeds where he will accompany sections of his Quiet Man prose on acoustic piano (7th November). I’ll be there too – should be interesting. I’m intrigued.