Can you light a fire…

Who: Steve Hackett

What: Classic Hackett and Genesis Revisited

Where: The Palladium, Argyll Street, London

When: 19th May 2017

In the last few years, Steve Hackett’s career has found a whole new momentum. Not for him the way of some older artists who peddle their glory years alone. Rather he has record a succession of varied and interesting albums which he brings to venues across the UK and pairs in live performance with a set emphasising that he was once lead guitarist with Genesis.

This way everybody wins…, the venue sells out… and the fans love it.

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A Dish Fit For… Everyone

What: Julius Caesar

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: Royal Shakespeare Company (RSC)

When: 4th May 2017.

This reviewer is confused

The RSC decided in their wisdom to have “press day” for both Antony & Cleopatra and Julius Caesar on the same day. Figuring that seeing two plays on one day would rather ruin the palate for the second, I decided to opt out of one. On the flip of a coin and because I prefer the “Cleopatra” play normally, I decided to come back and see Julius CaesarĀ another day even though my review would appear later than everyone else’s and although it would mean seeing the plays out of sequence. Also, sequentially, it makes much more sense for Julius Caesar to be seen first.

Now I have to say that “Antony and Cleopatra” was horrible and the worst production i have seen from the RSC for a number of years.

Now since there is a director overseeing the four productions in the RSC’s Rome series, I estimated that this production would go in roughly the same direction as Iqbal Khan’s “Anthony and Cleopatra” and would need some fine performances to save it.

I needn’t have worried because Angus Jackson’s “Julius Caesar” is confusingly, truly excellent. Not flawless but truly, truly excellent and you would do well to see it.

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Valli Scales the Heights

Who: Frankie Valli and the Four Seasons

What: Greatest Hits Tour 2017

Where: Bournemouth International Centre

When: 21st April 2017

A few years ago if you’d asked the average man on the street in the UK to name the legends of rock’n’roll, he would have begun with Elvis Presley and the Beatles but he might not have ever got to Frankie Valli or the Four Seasons. Since then a musical called “Jersey Boys” has become a phenomenon on Broadway and in the West End.

Now people’s awareness of how many great songs Valli and Seasons’ writer, Bob Gaudio are responsible for, has increased beyond recognition. And Valli and his current band, who were once reduced to playing medium-sized venues, are now back in the big leagues as a live draw.

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“a …piece of work; which … to have been blest withal would have discredited your travel.”

Who: Royal Shakespeare Company

What: Antony and Cleopatra

Where: Royal Shakespeare Theatre

When: 23rd March 2017

This is the first of four reviews that I will deliver over the coming months on the Royal Shakespeare Company’s (RSC) Rome season. We begin with Antony and Cleopatra and then head through Julius Caesar, Titus Andronicus and Coriolanus. The comfort of this is that it gives the RSC three attempts to improve upon this woeful Antony and Cleopatra.

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Dylan in the 80s – worth more than a second glimpse… and his thoughts on music and film.

A little over a year ago I wrote an article about Bob Dylan’s “Saved” album which received a wide readership and was generally positively received:

https://twilightdawning.com/2016/02/15/bob-dylan-saved-reassessed/

My intention had been to write a similar article about the 1981 album “Shot of Love” and then to go on and write a series of articles or a book about the albums and tours since then looking particularly at Mr Dylan’s use of Old Testament and New Testament imagery but also other imagery he used commonly across many years which helps us to understand and appreciate his work.

Unfortunately, I got bogged down in the article on “Shot of Love” which is still not finished although I keep returning to it and tinkering with it. I hope it will be completed as I think I might have some important things to say but who knows when.

This week, as has become his habit when a new album is due. Dylan’s staff published on his website a new interview he has given to Bill Flanagan:

http://www.bobdylan.com/news/qa-with-bill-flanagan/

Mr Flanagan seems to be a writer that Bob particularly trusts and he has given him several important interviews over the past decade. This new one is intended to herald his latest album of standards, the 3-disc set “Triplicate”.

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The A1111 and Other Songs

What: My Last Will and Tasty Mint

Who: John Shuttleworth

When: 21st February 2017

Where: Leicester Square Theatre, London

What could be better than a John Shuttleworth concert? Well, perhaps a John Shuttleworth concert with lots of recently written songs and an invigorated artist.

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Music: The principal of pleasure (1978-1980)

A guy that I’ve met wrote a list on Facebook which has been running ’round my head for the last few hours. Quite a simple idea really – the albums he was listening to in his teenage years. It sparked something within me and took me back to another time and so I’m up in the night writing a list of my own but also exploring things that in some ways I’d rather not think about itĀ – a very different time – and some things I guess I’d rather forget.

But in the midst of it there was always music.

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