I Understand A Fury In Your Words. But Not The Words.

What: Othello by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 11th June 2015

“We’ve tried to make it less ridiculous, so we’ve cut some lines… which leaves us open to the accusation that by doing so we have made it less sublime – we’ve cut some of the music of Othello”.

– Hugh Quashie (Othello) in conversation with the Stratford-Upon-Avon Herald.

It is indeed interesting when the principal actor in a Shakespeare production describes the plotline of one of the Bard’s plays as being ridiculous – so ridiculous that it is worth spoiling the rhythm and rhyme of the play to correct. One might even consider this a kind of arrogance.

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It wearies me; you say it wearies you

What: The Merchant of Venice

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 21st May 2015

A writer in the UK newspaper “The Telegraph” pointed out how far short of the production at the Globe in London, the current RSC version of “The Merchant of Venice” falls. It is indeed unusual for two parallel productions to be running like this. It is, if you will, a surfeit of Merchants.

I cover only the RSC’s productions so I do not have the benefit or disadvantage of comparison. I, therefore, can only point out how the RSC’s production fails on its own merits. The audience were enthusiastic. The cast were spirited but bad directorial and staging decisions doomed it from the start.

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