Nad Sylvan – An Interview with the Vampirate

(And so as part of my ongoing project for this difficult period, on the day following my Bob and Hilary James interview https://twilightdawning.com/2020/05/22/bob-and-hilary-james-they-are-flesh-and-blood/, I was able to interview Nad Sylvan. As well as being an artist in his own right, Nad is the lead singer with the band led by ex-Genesis guitarist, Steve Hackett).

(In the following conversation, NS denotes the comments of Nad Sylvan, and DH those of Darren Hirst)

DH: Thank you for making some time for me today in these strange circumstances. How is the weather with you?

NS: It’s very cold. It’s only like six degrees. it was up to 15 last week with sun, and you know, scattered clouds. But it’s pleasant enough. And we get to make a huge bonfire tonight because on this date every year it’s called Valborg. When we celebrate spring and we’ll all light a bonfire – the only day in the spring that we’re allowed to do that. I have a load of dead wood ready to go.

DH: Well, we’re in the middle of a thunderstorm at the moment in London, so if you hear any strange noises in the background that’s the explanation…

NS: Okay, cool.

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A Salute to the Salutation!

In March 2020. I was asked to put together an event at one of our local pubs. The Salutation in King Street, Hammersmith, London had been a little quieter than normal since the local Town Hall had closed for refurbishment and I was asked to put on a bill of varied artists in order to get new people over the threshold.

After a few phone calls and a little planning, we had six acts, across a broad range of styles:

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All form is formless, order orderless

What: King John by William Shakespeare

When: October 2019

Who: Royal Shakespeare Company

Where: The Swan Theatre, Stratford-Upon-Avon

Three plays? No, just one.

Are you sure? Well, yes as much as I can be sure about anything to do with this production.

But whatever we say, we have to say that the production is an untidy mess.

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O cunning enemy, that, to catch a saint, With saints dost bait thy hook!

What: Measure for Measure by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon, UK

Who: The Royal Shakespeare Company

When: July 2019

“The poetic atmosphere is one of religion and critical morality. The religious colouring is orthodox, as in Hamlet.”[1]

“There have, however, been others, notably in the last century, such unlikely yoke-fellows as Gervinus in Germany and Walter Pater in England who have seen the play neither as expressive of cynicism and disgust nor as filled with the spirit of the Gospels and yet believe it to be no ‘meaningless’ entertainment but serious and coherent exploration of certain moral issues. It is in support of this view that the following pages are written”.[2]

I have two touchstones, benchmarks if you will, when it comes to Shakespeare’s “Measure for Measure” and the above quotations are examples of their understanding of the play and the differences between those understandings. Gregory Doran’s production of the play in Stratford-Upon-Avon may have become a third.

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I Never Thought it Possible or Likely…

What: The Taming of the Shrew by William Shakespeare

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: The Royal Shakespeare Company (RSC)

When: 19th March 2019

The Royal Shakespeare Company when announcing their 2019 season said that they were going to show the relevance of Shakespeare’s writings to the modern era. There is no question that they have attempted this – although they could be accused of majoring only on one contemporary issue.

Like a percussionist surrounded by many instruments but beating on only one drum, they have taken up only the issue of gender. This meant that in the seldom-performed “Timon of Athens”, they left us wondering what the value of the change of gender was – although it did give some opportunity for strong female character actors in the principal roles. Very few of the audience would know the original play well enough to appreciate the difference that making all the lead characters female had made. Then there was As You Like It where the gender swaps caused a complete meltdown in the second half of the play as an already complex plot became just too untidy.

But with The Taming of the Shrew, by George, I believe they may have added in something worthwhile.

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We are not alone unhappy: This Wide and Universal Theatre…

What: As You Like It by William Shakespeare

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: The Royal Shakespeare Company

When: 21st February 2019

Kimberly Sykes’ direction of the current Royal Shakespeare Company (RSC) production of “As You Like It” has many strengths but there are some self-created weaknesses which it seems to me have little to do with the writing of the Bard of Avon. The peculiar things is that they are similar flaws to those present in other recent productions by the RSC and those were handled by other directors. I hate to be repeating myself but… What is going on here?

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We stand much hazard, if they bring not Timon.

What: Timon of Athens by William Shakespeare

Where: The Swan Theatre @ The Royal Shakespeare Theatre, Waterside, Stratford-Upon-Avon

Who: The Royal Shakespeare Company (RSC)

When: 13th December 2018

It has been a strange year for the Royal Shakespeare Company (RSC). It just got stranger. Their take on – should I say adaptation of Timon of Athens – is an unusual one. And that is to say something quite remarkable because this play is seldom performed.

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