Turn back, dull earth, and find thy centre out

What: Romeo and Juliet by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: Royal Shakespeare Company (RSC)

When: June 2018

A mid-season visit to the RSC’s latest interesting adaptation of a Shakespeare classic.

Relevance!

Relevance!

Relevance!

This is the catch word that almost every RSC production screams at you as soon as you enter their building in its quaint setting along the River Avon.

What does Shakespeare have to say to today’s world and its issues?

Continue reading

Sensible to Feeling as to Sight

What: Macbeth by William Shakespeare

Who: Royal Shakespeare Company (RSC)

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 20th March 2018

When a familiar play opens and you see characters normally associated with adults being played by pre-teen girls, it is difficult to stifle an inward groan. But, in actuality, this production of Macbeth is very strong indeed and is one which you should hunt for tickets for. It really does have an awful lot to commend it. This is a taut, energetic production with some exceptional acting.

Continue reading

Better a Witty Fool, Than a Foolish Wit

What: Twelfth Night by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: Royal Shakespeare Company (RSC)

When: 9th November 2017

Who is the central character in William Shakespeare‘s Twelfth Night? In modern times it is very evident that Malvolio is regarded in this way. I’m not so sure that this should be seen as the case. The Malvolio story is one of a number of sub-plots in the story. In truth, I don’t think there is a central character. More than any other Shakespeare play it is an ensemble piece and it is at its best when three or four of the cast are on the stage together and playing off each other.

Continue reading

Corn for the rich men only: with these shreds

What: Coriolanus by William Shakespeare

Who: The Royal Shakespeare Company (RSC)

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

When: October 2017

Coriolanus is, in its full form, the second longest play in Shakespeare’s canon. Performed in its entirety it would take up four hours or more of your life. Here at the RSC, it takes 2 hours and forty minutes – three hours if you include the break in the middle for ice cream.

Continue reading

Kabaret at Karamel… Two in Perfect Harmony

What: The Incorruptibles Soiree

When: 7th July 2017

Who: Louise Kleboe and her Society of Imaginary Friends; Darren Hirst; The Astronauts; Martin Wakefield and more

Where: The Karamel Music Club and Restaurant, Wood Green, London

The band who opened Glastonbury

A kind of punky-folky rock band

A poet talking about creation

And the ghost of the white-faced clown holding a teddy and reciting Shakespearean monologues and soliloquies.

In a vegan restaurant and bar.

What could be more everyday? What could go wrong?

Continue reading

This Timeless Tragedy…Why Dost Thou Laugh?

What: Titus Andronicus by William Shakespeare

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon, 

Who: The Royal Shakespeare Company (RSC)

When: 4th July 2017

The RSC’s current production of “Titus Andronicus” is a bloody mess.

And that is both a good thing and a bad thing.

“Titus Andronicus” is meant to be violent and bloody and the RSC have achieved that with great aplomb.

However, “Titus Andronicus” is meant (in my view) to be macabre rather than comedic and here too much is played simply for laughs.

Continue reading

Going Forth With The Shakespearience…

What: Go Forth With The Shakespearience

Where: Ravenscourt Arts, Hammersmith

Who: The Shakespearience

When: May 2017

One day whilst I was in Stratford-Upon-Avon with the Royal Shakespeare Company, I woke up in my hotel room with a fairly fully formed idea for bringing Shakespeare to schools, using professional actors and musicians, and giving young people a first exposure to live theatre.

It’s now 8 years since we started working with local schools as part of their literature programme. We’ve always worked with the schools in the areas of faith and religious education but we thought as well as enhancing the teaching in those areas, we ought to give back to the community in the areas that God has gifted us in. This has meant that over those years we’ve worked on poetry workshops (with Paul Cookson), performances of Shakespeare and more recently, since Chris Jarvis has joined us in a range of other hands-on activities.

Continue reading