Orchestral Hackett!

Who: Steve Hackett

What: Classic Genesis Revisited with Band and Orchestra

Where: Royal Festival Hall, Southbank, London

When: 4th October 2018

Steve Hackett, as you probably know, left Genesis a little over forty years ago (yes, I know, doesn’t it make you feel old). A few years ago, he hit on the idea of no longer seeing his musical career as two exclusive parts and introducing Genesis material into his shows – under the umbrella term “Genesis Revisited“. It has worked beyond expectations. Larger venues have been booked. Bigger houses and receipts are taken. Audiences are happy. What’s not to like, right? Let’s see how the current tour is going…

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Alvin – A True Star on All Kinds of Levels

Commemorating the life of Alvin Stardust, I think I heard somewhere that tributes were being sought for an event which is to be held in the town of his youth, Mansfield. The suggestion may have come from Dave Harness who functioned as Alvin’s road manager during the latter part of his career and who I count as a friend but, anyway, I read it somewhere. It got me to thinking on what I’d want to say.

I can’t be at the opening day of the event because of a writing commission which is going to take me to New York for a month, but I hope to visit it thereafter, but I thought to gather my thoughts here and now.

I’d written an obituary of sorts about Alvin at the time of his passing which can be found elsewhere on the internet including here:

https://twilightdawning.com/2014/10/29/good-rockers-can-never-die/

which covers his career in broad-strokes, so maybe something about my inter-action with the man.

Back in the mid-90s my agent rang me and asked me if I would be at all interested in interviewing “an old glam rocker called Alvin Stardust”(!) while he was on tour and specifically at his show in Croydon at the Fairfield Halls. What my caller didn’t realise was that when I was 9 I’d seen Mr Stardust on Top of the Pops and become convinced that he was the coolest man in the world. It was a moment that has affected me right to this very day and I guess I knew from that moment that I’d be forever “dressed in black” myself.

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Wives may be merry and yet honest too

What: The Merry Wives of Windsor by William Shakespeare

Who: The Royal Shakespeare Company (RSC)

Where: The Royal Shakespeare Theatre (RST), Stratford-Upon-Avon, England

When: 14th August 2018

This new production of Shakespeare’s Merry Wives of Windsor is quite perplexing in places but I found it a whole lot more enjoyable than their current Romeo and Juliet. And I think audiences in general will concur.

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Dylan in concert and a non-Jungian synchronicity that makes me smile

Last night was the first night of Bob Dylan’s tour of the Far East and Australasia.

On Friday, here and elsewhere, I published an article which argued that more care and consideration should be shown in our critiques of Dylan’s art when we considered his albums and his live performances and argued that at a very minimum we should use his written lyrics as a lexicon to try analyse who he is and what he is speaking about:

If you haven’t read it already you can see it here:

https://twilightdawning.com/2018/07/26/bob-dylan-sloppy-analysis-and-hearing-what-we-want-to-hear/

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Bob Dylan, sloppy analysis and hearing what we want to hear

Literary criticism, musical criticism and theological criticism are notoriously difficult. The reason that they are so hard is the question of subjectivity. In the early years of the 20th century, a noted conservative theologian said the following of a liberal scholar:

“The Christ that he sees, looking back through nineteen centuries of Catholic darkness, is only the reflection of a Liberal Protestant face, seen at the bottom of a deep well.”

It is a very clever idea but could the equal statement also be said of the more conservative thinker. We want our God to be like our theology says he should be. Otherwise we are wrong and that is hard to bear. We want our heroes to be like us. Otherwise that is burdensome.

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Turn back, dull earth, and find thy centre out

What: Romeo and Juliet by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: Royal Shakespeare Company (RSC)

When: June 2018

A mid-season visit to the RSC’s latest interesting adaptation of a Shakespeare classic.

Relevance!

Relevance!

Relevance!

This is the catch word that almost every RSC production screams at you as soon as you enter their building in its quaint setting along the River Avon.

What does Shakespeare have to say to today’s world and its issues?

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It Won’t Be Gone When the Morning Comes

What: Bat Out of Hell – The Musical

Who: Jim Steinman et al

Where: Dominion Theatre, Tottenham Court Road

When: May 2018

The Bat out of Hell phenomenon dates back to the release of the Meat Loaf album of the same name in 1977. Bat out of Hell – The musical opened in Manchester, England in February of 2017 before transferring to London in June of the same year where it was housed at the Coliseum in the West End. In October 2017 it transferred to Toronto, Canada before returning to London, England and its new venue at the Dominion in April of this year.

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