Dylan in concert and a non-Jungian synchronicity that makes me smile

Last night was the first night of Bob Dylan’s tour of the Far East and Australasia.

On Friday, here and elsewhere, I published an article which argued that more care and consideration should be shown in our critiques of Dylan’s art when we considered his albums and his live performances and argued that at a very minimum we should use his written lyrics as a lexicon to try analyse who he is and what he is speaking about:

If you haven’t read it already you can see it here:

https://twilightdawning.com/2018/07/26/bob-dylan-sloppy-analysis-and-hearing-what-we-want-to-hear/

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Bob Dylan, sloppy analysis and hearing what we want to hear

Literary criticism, musical criticism and theological criticism are notoriously difficult. The reason that they are so hard is the question of subjectivity. In the early years of the 20th century, a noted conservative theologian said the following of a liberal scholar:

“The Christ that he sees, looking back through nineteen centuries of Catholic darkness, is only the reflection of a Liberal Protestant face, seen at the bottom of a deep well.”

It is a very clever idea but could the equal statement also be said of the more conservative thinker. We want our God to be like our theology says he should be. Otherwise we are wrong and that is hard to bear. We want our heroes to be like us. Otherwise that is burdensome.

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Turn back, dull earth, and find thy centre out

What: Romeo and Juliet by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: Royal Shakespeare Company (RSC)

When: June 2018

A mid-season visit to the RSC’s latest interesting adaptation of a Shakespeare classic.

Relevance!

Relevance!

Relevance!

This is the catch word that almost every RSC production screams at you as soon as you enter their building in its quaint setting along the River Avon.

What does Shakespeare have to say to today’s world and its issues?

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It Won’t Be Gone When the Morning Comes

What: Bat Out of Hell – The Musical

Who: Jim Steinman et al

Where: Dominion Theatre, Tottenham Court Road

When: May 2018

The Bat out of Hell phenomenon dates back to the release of the Meat Loaf album of the same name in 1977. Bat out of Hell – The musical opened in Manchester, England in February of 2017 before transferring to London in June of the same year where it was housed at the Coliseum in the West End. In October 2017 it transferred to Toronto, Canada before returning to London, England and its new venue at the Dominion in April of this year.

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Sensible to Feeling as to Sight

What: Macbeth by William Shakespeare

Who: Royal Shakespeare Company (RSC)

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 20th March 2018

When a familiar play opens and you see characters normally associated with adults being played by pre-teen girls, it is difficult to stifle an inward groan. But, in actuality, this production of Macbeth is very strong indeed and is one which you should hunt for tickets for. It really does have an awful lot to commend it. This is a taut, energetic production with some exceptional acting.

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Karamel Too…

What: Kabaret at Karamel

Where: Wood Green, London

When: 2nd March 2018

Who: Society of Imaginary Friends, Darren Hirst – Monologues & Soliloquies, Outre Dan Steele, Stepan Honc + others.

Well, for some reason, wise or foolish, the good people at the Karamel Klub invited me back for a second visit to perform another branch of my occasional show: Darren Hirst – Monologue and Soliloquies.

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Mud Rock!

Who: Mud

Where: The Half Moon, Putney, London

When: December 24th 2017

Mud. Now there’s a name to conjure with. It’s only a few days since I was writing about another band from the Chinn / Chapman stable of the Seventies and now surprisingly I get to turn my attention to a second. I say surprisingly because Mud (in this format) have only played a handful gigs since their heyday. For the band this evening are led by original members, Rob Davis on lead guitar and Ray Stiles on bass and vocals.

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