What: All’s Well That Ends Well
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: 1st August 2013
Last time out for me, with the Royal Shakespeare Company, was to see their outstanding, remarkable and bloody production of Titus Andronicus in the Swan Theatre. This time I’m in the main Royal Shakespeare Theatre watching a solid but not quite as remarkable version of All’s Well That Ends Well.
What: Titus Andronicus
Where: Swan Theatre, Stratford-Upon-Avon
When: 30th May 2013
Perhaps, before I begin this review, I have to make a confession, Titus Andronicus is one of my favourite plays in Shakespeare’s oeuvre. Whilst other reviewers see it as being out of step with contemporary tastes, I have written quite extensively about its resonance with contemporary mores and issues. So whilst others were surprised to see it included in the RSC’s current season, I was pleased and excited to see it there. And I have to say that this production did not disappoint but lived up to all my hopes and expectations.
Surprising and delightful things from David Farr and The Tempest
What: The Tempest by William Shakespeare
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: 6th September 2012
When: 26th July 2012
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
What: Twelfth Night by William Shakespeare
When considering the RSC’s current production of “Twelfth Night”, it is helpful to separate out the plays two strands: the humorous and the romantic.
What: The Comedy of Errors
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: 12th of April 2012
What: The Song of Songs
Where: The Swan Theatre, Stratford-Upon-Avon
When: 6th March 2012
What: The Taming of the Shrew by William Shakespeare
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: Thursday 16th February, 2012
Where: The Swan Theatre, Stratford-Upon-Avon
When: 20th December 2011
What: Measure for Measure
What: A Midsummer Night’s Dream
Where: Stratford-Upon-Avon
When: 4th of August 2011
This is the third play that the Royal Shakespeare Company have performed from the Shakespearean canon since the launch of their new theatre – and to say that I did not approach the grim exterior of that new theatre with much enthusiasm would have been something of an understatement.
twilightdawning 