Little Fooling around but still a major production

Date: 1st of April 2011
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
What : King Lear

I’ve seen this production before. Last year. But then Kathryn Hunter was the Fool. Now there was a story. Ms Hunter excellent as the Fool in King Lear, dire as Cleopatra in Anthony and Cleopatra. One reviewer called that production “gob-smackingly bad”. I was kinder.

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A play by any other name would smell as sweet…….

 The RSC production of Romeo and Juliet which is currently playing in its Stratford-Upon-Avon base and which will transfer to the Roundhouse in Camden, London  later in the year is a golden opportunity to see one of the finest productions of Shakespeare in many a year.

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Hicksville?

Greg Hicks is at the heart and soul of the current RSC ensemble who are gathered to perform a number of Shakespeare’s classic works at the Courtyard Theatre in Stratford-Upon-Avon. The ensemble began its work last year and will continue to work together until 2011 – although rumour has it that Hicks will leave early.

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Et Tu, Brute?

Julius Caesar
The Courtyard Theatre, Stratford
3rd September 2009

Tonight, I watched David Troughton in a repeat of the BBC light drama, New Tricks. Troughton is an actor with a distinguished Shakespearean pedigree and he carried off the TV role with aplomb and class.

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Winter in Summer

The Winters Tale
RSC at the Courtyard Theatre, Stratford-Upon-Avon
23rd July 2009

The RSC have put together a new ensemble which will work on a number of productions between now and 2011. If these first fruits are anything to go by, it promises to be a very good run indeed.

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As We Like It!

Royal Shakespeare Company
The Courtyard Theatre, Stratford Upon Avon

As You Like It
23rd of April 2009

In 2007, Neil Bartlett directed a version of “Twelfth Night” for the RSC which held tightly together in the first half of the performance but tended to be more unwieldy after the interval as the drama led us out into countryside celebrations and a hippy-chic interpretation of some of the songs in the second half. It was bright, colourful but a little too flamboyant for its own good. Watching Michael Boyd’s take on “As You Like It” at the Courtyard in Stratford-Upon-Avon, I began to wonder if this production was going to fall into the same problems. Tight and precisely directed in the city action of the first scenes, a little too wild in places as the action transferred to the forest in later scenes.

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