The New York Yankees in Spring Training (2016) – Update 2

(up to and including March 23, 2016)

At the time of our last column, the Yankees stood at 5-8. Since then they have improved to 9-10 and they have seen Brett Gardner able to take regular at-bats and gain his first hits and RBI,  and Jacoby Ellsbury take a pitch off his wrist which has limited his participation but, in general, the roster is taking shape.

Let’s survey the pitchers and who is likely to be on that roster as March turns into April.

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The New York Yankees in Spring Training (2016) – Update 1

(up to and including March 16th)

Spring training hasn’t brought any huge revelations for the Yankees – no huge “ups” but, thankfully, no huge “downs”. This is not to say that things have gone entirely to plan or that Training has been easy. Of their first 15 games, they won 5, lost 8 and saw 2 games called at a tie. 17 players were reassigned but of those only Jacob Lindgren and perhaps Matt Tracy had much hope of making the 25 who would see service on Opening Day. And there have been no players breaking down to major injuries and only Brett Gardner suffering a major delay to his first appearance because of prior ailments.

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The New York Yankees – Off-Season Update – January / February 2016 – …And On the Eighth Day the Yankees Did Nothing…

In my last Yankees-themed article, (https://twilightdawning.com/2015/12/23/the-new-york-yankees-off-season-update-novemberdecember-2015-ludicrous/), I highlighted how in my opinion, in their trades and lack of free agency activity, the Bronx Bombers had actually managed to weaken their squad of players. This view was obviously contrary to the view of Hal Steinbrenner, Brian Cashman and Joe Girardi but it was difficult for me to see it any other way.

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“…Your play needs no excuse…”

What: A Midsummer Night’s Dream

When: 25th February 2016

Where: The Royal Shakespeare Theatre

When the Royal Shakespeare Company (RSC) last staged “A Midsummer Night’s Dream” (https://twilightdawning.com/2011/08/09/what-masques-what-dances-shall-we-have-to-wear-away-this-long-age-of-three-hours/) , they achieved a production which gave us a strong and evocative (transformed) Bottom and Titania but a rather forgettable Hermia and Helena. Five years later, I think they have perhaps given us the opposite whilst once again managing to give us an entertaining production which like its predecessor is worthy of accolades.

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