Where: Clapham Grand, London
When: 10th November 2011
Who: Fourplay
“Smooth jazz”. Just what does that mean?
Where: Clapham Grand, London
When: 10th November 2011
Who: Fourplay
“Smooth jazz”. Just what does that mean?
Two of the artists I respect most have new albums coming in the next few weeks.
First up is Bob Dylan whose new album is due on cd and vinyl on the 28th of April. I think the artwork is dreadful but I’m sure the musical content will be better. It’s called "Together Through Life"
Next is John Foxx who, as I’ve mentioned before, has been working with Robin Guthrie. Their album will also be on cd and vinyl and will appear the first week in May. It’s called "Mirrorball".
On a more personal note, I’ve been working on remastering the sound on three albums for a band from the 70s and 80s called Sad Cafe. I now have a provisional release date for the first of these. The album also called Sad Cafe will be on Renaissance Records in the States on the 21st of April.
I mentioned John Foxx. Another album he has been busy on dropped through my letterbox this morning. This time he’s worked with Steve D’Agostino and Steve Jansen (ex-Japan). I’ve not shown the artwork for this one before so here goes:
Mr Foxx is frighteningly prolific.
What other discs would I recommend at the moment?
Enough for now………….
Jazz snobs irritate me. You know the kind of guy who claims it’s not jazz unless it is some kind of standard or follows some kind of bebop form. For a music that is all about improvisation, it sure seems to attract a lot of people who like pigeonhole things. For me, improvisation is the heart of jazz. On one extreme, I like Thelonious Monk, Dave Brubeck. In the middle ground, I’ll listen to a little Danilo Perez or Eliane Elias. Out on the other edge I love the music of Bob James. It should be obvious by now that piano is my favourite instrument when it comes to all kinds of jazz. But one thing all these piano players have in common is that they surrounded themselves with some great bands.
A guy who used to play with Bob James in the early eighties is Mark Colby, the tenor saxophonist. He’s been making some great straight-ahead jazz on Hallway Records. His latest is a tribute to the sax great Stan Getz. It’s one of the finest albums I’ve heard in the last two years. Here’s a guy who has made some great modern jazz but has also done the contemporary stuff too. Where there’s real talent there’s no room for jazz snobs and their pigeon holes. Just room for great music.