The Yankees form had taken a dip by the time the season reached August and the dog days. From a .281 batting average (BA) in the month of July, they fell to a team .240 in the eighth month and a 17-13 win/loss record. Part of this was due to under-performance (let’s all say Greg Bird together and shake our heads sadly). Part of this was due to injury (Aaron Judge and Gary Sanchez, although whether in Sanchez’s case that’s a blessing or a curse remains to be seen) but mostly it is down to over-performers coming down to earth. However, that tandem of wonder-rookies, Gleyber Torres and Miguel Andujar are still playing everyday and still showing great ability (at least offensively). Read on…
Last night was the first night of Bob Dylan’s tour of the Far East and Australasia.
On Friday, here and elsewhere, I published an article which argued that more care and consideration should be shown in our critiques of Dylan’s art when we considered his albums and his live performances and argued that at a very minimum we should use his written lyrics as a lexicon to try analyse who he is and what he is speaking about:
If you haven’t read it already you can see it here:
Literary criticism, musical criticism and theological criticism are notoriously difficult. The reason that they are so hard is the question of subjectivity. In the early years of the 20th century, a noted conservative theologian said the following of a liberal scholar:
“The Christ that he sees, looking back through nineteen centuries of Catholic darkness, is only the reflection of a Liberal Protestant face, seen at the bottom of a deep well.”
It is a very clever idea but could the equal statement also be said of the more conservative thinker. We want our God to be like our theology says he should be. Otherwise we are wrong and that is hard to bear. We want our heroes to be like us. Otherwise that is burdensome.
What: Why Should The Devil Have All the Good Music: Larry Norman and the Perils of Christian Rock
Author: Gregory Alan Thornbury
Publisher: Convergent, NY
Publication date: 2018
(Bob) Dylan replied.
“Tell your brother I’m a fan.”
Gregory Alan Thornbury “Why Should the Devil Have All the Good Music: Larry Norman and the Perils of Christian Rock” p.253
I am a fan of Larry Norman’s music also. Seems I might not be in bad company.
I was never quite sure what to make of the man himself.
A little over a year ago I wrote an article about Bob Dylan’s “Saved” album which received a wide readership and was generally positively received:
My intention had been to write a similar article about the 1981 album “Shot of Love” and then to go on and write a series of articles or a book about the albums and tours since then looking particularly at Mr Dylan’s use of Old Testament and New Testament imagery but also other imagery he used commonly across many years which helps us to understand and appreciate his work.
Unfortunately, I got bogged down in the article on “Shot of Love” which is still not finished although I keep returning to it and tinkering with it. I hope it will be completed as I think I might have some important things to say but who knows when.
This week, as has become his habit when a new album is due. Dylan’s staff published on his website a new interview he has given to Bill Flanagan:
Mr Flanagan seems to be a writer that Bob particularly trusts and he has given him several important interviews over the past decade. This new one is intended to herald his latest album of standards, the 3-disc set “Triplicate”.
A guy that I’ve met wrote a list on Facebook which has been running ’round my head for the last few hours. Quite a simple idea really – the albums he was listening to in his teenage years. It sparked something within me and took me back to another time and so I’m up in the night writing a list of my own but also exploring things that in some ways I’d rather not think about it – a very different time – and some things I guess I’d rather forget.
But in the midst of it there was always music.
Who: Bruce Springsteen & the E-Street Band
What: The River Tour 2016
Where: Wembley Stadium, London
When: 5th June 2016
My track record with the music of Bruce Springsteen has been a little chequered. I discovered his music early in his career and love the first four albums – “Greetings from Asbury Park, N.J.”, “The Wild, The Innocent and the E-Street Shuffle”, “Born to Run” and “Darkness on the Edge of the Town”. “The River” was an interesting album. Bruce felt it needed to be a double record. Listening to it in Yorkshire in England, I always felt it would have been better as a single album. Loved “Point Blank” but couldn’t get excited about what Mr Springsteen refers to as his “bar-room songs” especially pieces of fluff like “Crush on You”. But there was some real meat in there and I remember listening to that album a lot.