For Thou Mayest See a Sunshine and a Hail in me at once

What: All’s Well That Ends Well by William Shakespeare

Where: The Royal Shakespeare Theatre (RST), Stratford-upon-Avon

When: August 22-28 2022 (runs until late October 2022)

Who: The Royal Shakespeare Company (RSC)

William Shakespeare’s “All’s Well That Ends Well” is, they say, a problem play. Having read all the main literature on that subject, I’m still not convinced on that subject, but this I do know – the RSC’s current production of it makes it more of a problem than it needs to be.

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O cunning enemy, that, to catch a saint, With saints dost bait thy hook!

What: Measure for Measure by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon, UK

Who: The Royal Shakespeare Company

When: July 2019

“The poetic atmosphere is one of religion and critical morality. The religious colouring is orthodox, as in Hamlet.”[1]

“There have, however, been others, notably in the last century, such unlikely yoke-fellows as Gervinus in Germany and Walter Pater in England who have seen the play neither as expressive of cynicism and disgust nor as filled with the spirit of the Gospels and yet believe it to be no ‘meaningless’ entertainment but serious and coherent exploration of certain moral issues. It is in support of this view that the following pages are written”.[2]

I have two touchstones, benchmarks if you will, when it comes to Shakespeare’s “Measure for Measure” and the above quotations are examples of their understanding of the play and the differences between those understandings. Gregory Doran’s production of the play in Stratford-Upon-Avon may have become a third.

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