O cunning enemy, that, to catch a saint, With saints dost bait thy hook!

What: Measure for Measure by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon, UK

Who: The Royal Shakespeare Company

When: July 2019

“The poetic atmosphere is one of religion and critical morality. The religious colouring is orthodox, as in Hamlet.”[1]

“There have, however, been others, notably in the last century, such unlikely yoke-fellows as Gervinus in Germany and Walter Pater in England who have seen the play neither as expressive of cynicism and disgust nor as filled with the spirit of the Gospels and yet believe it to be no ‘meaningless’ entertainment but serious and coherent exploration of certain moral issues. It is in support of this view that the following pages are written”.[2]

I have two touchstones, benchmarks if you will, when it comes to Shakespeare’s “Measure for Measure” and the above quotations are examples of their understanding of the play and the differences between those understandings. Gregory Doran’s production of the play in Stratford-Upon-Avon may have become a third.

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We are not alone unhappy: This Wide and Universal Theatre…

What: As You Like It by William Shakespeare

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

Who: The Royal Shakespeare Company

When: 21st February 2019

Kimberly Sykes’ direction of the current Royal Shakespeare Company (RSC) production of “As You Like It” has many strengths but there are some self-created weaknesses which it seems to me have little to do with the writing of the Bard of Avon. The peculiar things is that they are similar flaws to those present in other recent productions by the RSC and those were handled by other directors. I hate to be repeating myself but… What is going on here?

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“a …piece of work; which … to have been blest withal would have discredited your travel.”

Who: Royal Shakespeare Company

What: Antony and Cleopatra

Where: Royal Shakespeare Theatre

When: 23rd March 2017

This is the first of four reviews that I will deliver over the coming months on the Royal Shakespeare Company’s (RSC) Rome season. We begin with Antony and Cleopatra and then head through Julius Caesar, Titus Andronicus and Coriolanus. The comfort of this is that it gives the RSC three attempts to improve upon this woeful Antony and Cleopatra.

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