A few months ago I talked in this column about two perils that the Yankees faced in the 2016 season. The first possibility was that the senior players would prove to be well past their sell-by date and would under-perform. The second possibility was that although those senior players would perform, they would be laboured by injury. In reality, I overlooked the third possibility – that they would under-perform AND carry injuries.
What: Cymbeline by William Shakespeare
Who: Royal Shakespeare Company
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: May 26th 2016
Mmm… first of all you’re asked to delay your night at a Shakespeare play then your hotel manager tells you that the play has had somewhat “mixed reviews”. Then you hear the story of how the first night’s audience were given a refund because the play was running well behind in its mad dash to be ready for press night. As you take your seat in the theatre perhaps you’re right in not having too high an expectation of the night’s proceedings.
On the way in you had handed over your £4 for the programme. Back in the day, the programmes were fully of scholarly essays about the play itself. These days, it has become customary for the programme to be full of pieces about the themes that the director and producer have decided to emphasise in this performance. There is an essay about the European Union and the danger of Britain breaking away from it. There is an interview with the director about the gender changes in the Dramatis Personae.
At least you know what’s coming. The married couple next to us who didn’t buy a programme (having paid £110 for a pair of tickets) left at the interval mumbling that “it wasn’t worth watching”.
I first met Paul Cookson in the early 1980s at an Arts Festival called Greenbelt. Back then he was writing poems for adults and selling them in self-published booklets on the “fringe” area of the festival.
A couple of years later he had found his true vocation and graduated to writing poems for children. We started doing schools presentations of his work about 15 years ago and when I opened the theatre “Ravenscourt Arts@ Ravenscourt Baptist Church”, his performances became a regular if occasional part of our repertoire at the theatre as we have invited Paul to work with local schools groups.
This tradition continued in March 2016 as over 800 young people joined Paul over 6 events and laughed, worked with words, invented rhymes, and wrote their own poetry.
Whilst the batters showed few highlights in April, you could almost divide the pitchers into two groups…those who were starters (bad) and those who were relievers (good). As we shall see, there were some exceptions but not many!
(with just a little insight into the first few days of the season!)
Well, if you compare my previous two articles on the Yankees in Spring Training,(https://twilightdawning.com/2016/03/18/the-new-york-yankees-in-spring-training-2016-update-1/ & https://twilightdawning.com/2016/03/25/the-new-york-yankees-in-spring-training-2016-update-2/ ), with what has actually happened you’ll find that I was pretty close to correctly predicting the opening day roster.
But I was lucky!
What: Hamlet
Where: Royal Shakespeare Theatre, Stratford Upon Avon
Who: Royal Shakespeare Company
When: March 31st 2016
The RSC’s new production of Hamlet has some excellent actors – and has the first black Hamlet and the RSC’s first predominately black cast for Hamlet in its history. It is brave and lively and interesting.
But something is rotten in the state of Denmark.
(up to and including March 23, 2016)
At the time of our last column, the Yankees stood at 5-8. Since then they have improved to 9-10 and they have seen Brett Gardner able to take regular at-bats and gain his first hits and RBI, and Jacoby Ellsbury take a pitch off his wrist which has limited his participation but, in general, the roster is taking shape.
Let’s survey the pitchers and who is likely to be on that roster as March turns into April.
(up to and including March 16th)
Spring training hasn’t brought any huge revelations for the Yankees – no huge “ups” but, thankfully, no huge “downs”. This is not to say that things have gone entirely to plan or that Training has been easy. Of their first 15 games, they won 5, lost 8 and saw 2 games called at a tie. 17 players were reassigned but of those only Jacob Lindgren and perhaps Matt Tracy had much hope of making the 25 who would see service on Opening Day. And there have been no players breaking down to major injuries and only Brett Gardner suffering a major delay to his first appearance because of prior ailments.
In my last Yankees-themed article, (https://twilightdawning.com/2015/12/23/the-new-york-yankees-off-season-update-novemberdecember-2015-ludicrous/), I highlighted how in my opinion, in their trades and lack of free agency activity, the Bronx Bombers had actually managed to weaken their squad of players. This view was obviously contrary to the view of Hal Steinbrenner, Brian Cashman and Joe Girardi but it was difficult for me to see it any other way.
What: A Midsummer Night’s Dream
When: 25th February 2016
Where: The Royal Shakespeare Theatre
When the Royal Shakespeare Company (RSC) last staged “A Midsummer Night’s Dream” (https://twilightdawning.com/2011/08/09/what-masques-what-dances-shall-we-have-to-wear-away-this-long-age-of-three-hours/) , they achieved a production which gave us a strong and evocative (transformed) Bottom and Titania but a rather forgettable Hermia and Helena. Five years later, I think they have perhaps given us the opposite whilst once again managing to give us an entertaining production which like its predecessor is worthy of accolades.
twilightdawning 