Category Archives: live show

I Understand A Fury In Your Words. But Not The Words.

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What: Othello by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 11th June 2015

“We’ve tried to make it less ridiculous, so we’ve cut some lines… which leaves us open to the accusation that by doing so we have made it less sublime – we’ve cut some of the music of Othello”.

– Hugh Quashie (Othello) in conversation with the Stratford-Upon-Avon Herald.

It is indeed interesting when the principal actor in a Shakespeare production describes the plotline of one of the Bard’s plays as being ridiculous – so ridiculous that it is worth spoiling the rhythm and rhyme of the play to correct. One might even consider this a kind of arrogance.

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From Sheet to Vinyl to Stage

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Who: 10CC

What: Sheet Music and Greatest Hits Live

Where: Royal Albert Hall, London

When: 28th May 2015

When I was a boy, 10CC were often referred to, in the UK music press, as the British Steely Dan. I’ve never really understood that myself but given that I’ve recently been writing promotional material for some of the Steely Dan dates on their forthcoming U.S. tour, it seemed really appropriate that I should be sat in the second row of 10CC’s Royal Albert Hall gig writing a review of their show.

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It wearies me; you say it wearies you

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What: The Merchant of Venice

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 21st May 2015

A writer in the UK newspaper “The Telegraph” pointed out how far short of the production at the Globe in London, the current RSC version of “The Merchant of Venice” falls. It is indeed unusual for two parallel productions to be running like this. It is, if you will, a surfeit of Merchants.

I cover only the RSC’s productions so I do not have the benefit or disadvantage of comparison. I, therefore, can only point out how the RSC’s production fails on its own merits. The audience were enthusiastic. The cast were spirited but bad directorial and staging decisions doomed it from the start.

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Salesman in Stratford

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vWhat: Death of A Salesman by Arthur Miller

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 24th April 2015

There are more stage directions at the beginning of Arthur Miller’s “Death of A Salesman” then there are in an entire play by William Shakespeare. And that is before you get to the first spoken line in the script. The stage directions continue throughout the play – in not such an elongated way – but still extremely detailed. Even the way the actors are to deliver their lines are specified by the playwright. It is clear that there has been a theatrical revolution since Shakespeare’s day and by Miller’s early period. The question is how that revolution is applied now to theatre nearly 70 years after “…Salesman”‘s debut

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More Songs and Stories

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Who: Judie Tzuke

What: Songs and Stories Tour

Where: Ravenscourt Arts, Hammersmith, London

When: 11th April 2015

On the opening night of Judie Tzuke’s first UK wide all-acoustic tour, questions were invited from the audience as they will be on every night of this long jaunt around the country.

One sample question: What do you do to keep your voice so strong for so long?

Answer: Nothing. I was once given some vocal exercises but I’m afraid I’ve forgotten them.

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The Shakespearience Too at Ravenscourt Arts

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Presenting Shakespeare for ages 10-14 (i.e. the ages before they start formally studying the writer for exams in school) is not an easy task but it is a challenge that I have set myself over these last six years and I have to say with some degree of success.

This year was our largest project to date. With 1600-1700 young people signed up to attend and with our troupe now firmly esconced in our own theatre at Ravenscourt Arts, we decided to strip back to basics and bring in a new cast to work with a new script. Time to take some risks.

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The Strangest Living Boy You Could Ever Wish To See

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Who: Gary Numan

What: Convergence 2015

Where: Royal Festival Hall, South Bank, London

When: 20th March 2015

In 1981, after an exhausting two years, two number one singles and three number one albums, Gary Numan retired from touring with a lavish set of final shows at Wembley Arena in London. On Friday night, at Convergence in the Royal Festival Hall, London, for Numan it is now thirty-four years since he returned from retiring from live shows and he has a one-off special concert to mark his influence as a pioneer of electronica. The poster outside the venue doors described him as having “a ever-growing fanbase”. Apparently despite this, his records no longer trouble the top of the charts. Numan’s career has been a regular conundrum and a game of snakes-and-ladders and tonight was just the latest twist.

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Songs and Stories

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Who: Judie Tzuke

What: Songs and Stories

Where: Ravenscourt Arts, Hammersmith

When: 20th February 2015

Ravenscourt Arts is a delightful little venue. Seating 160 with immaculate sound reproduction, great lights, an engaging atmosphere and well-thought-out design, it is a great place to host a concert. Consequently, it is the ideal place for the kind of tasty dish that was served up on Friday night.

Tonight is the “secret” launch night for Judie Tzuke’s first ever full acoustic tour in a long and successful career. There’s some joke about the “pineapple gig” that the all-invited audience seem to be in on but we don’t need to dwell on that. What we have is an acoustic set which spans the bases from the debut album “Welcome to the Cruise” right up to the as-yet-unreleased “Woman Overboard”.

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Down To The Waters’ Edge

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Who: The Daughters of Davis

Where: Eventim Apollo, Hammersmith

When: 18th February 2015

Being piggy-in-the-middle on a three act bill is never an enviable task but when even the opening act is allowed access to the higher ranges on the volume sliders of the mixing desk that you’re not and the top act’s target audience is very different from your own then it’s somewhat more problematic.

But having said that Daughters of Davis blew everyone else off stage when it came to artistic integrity and provided a great set for an audience who entered not really caring who they were and exited won over in some numbers.

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The Shakespearience Too!

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In the second half of March, our theatre “Ravenscourt Arts” will host “The Shakespearience Too”.

This is the latest venture for our own production company “The Shakespearience” which Darren Hirst founded in 2009 to present an introduction to Shakespeare for young people of pre-GCSE school age.

When the Shakespearience first began to work together, it was actors, a tour bus and props but since our own theatre opened, life has been much easier.

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