Passion and Betrayal – Bob Dylan – Tell Tale Signs reassessed

(This article is an expanded version of a review that I wrote when this album first came out. I was really unhappy about the way that the magazine, who commissioned me to do it, published it. They changed the title. They printed it in a way that removed paragraph breaks and they made editing changes to it without consultation. Needless to say, I stopped freelancing for them shortly afterwards. I revisited the article, originally just with the intention of restoring it to the way it was meant to be but then as I read it and listened to the music, I figured perhaps there was more to say. It concentrates on the spiritual and faith-based references in Mr Dylan’s lyrics but touches on other matters too.)

“Those old songs are my lexicon and prayer book.  All my beliefs come out of those old songs, literally, anything from `Let Me Rest on that Peaceful Mountain’ to `Keep on the Sunny Side.’ You can find all my philosophy in those old songs. I believe in a God of time and space, but if people ask me about that, my impulse is to point them back toward those songs. I believe in Hank Williams singing `I Saw the Light.’ I’ve seen the light, too.”

This was Bob Dylan speaking in 1997 – a period which provides 11 songs on his 3-disc set “Tell Tale Signs” (10 out-takes from his “Time Out of Mind” set and 1 live recording).

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Does Bob Dylan have Christmas in his heart? – 4th time around

“When I was growing up, Billy Graham was very popular. He was the greatest preacher and evangelist of my time — that guy could save souls and did. I went to two or three of his rallies in the ’50s or ’60s. This guy was like rock ’n’ roll personified — volatile, explosive. He had the hair, the tone, the elocution — when he spoke, he brought the storm down. Clouds parted. Souls got saved, sometimes 30 or 40,000 of them. If you ever went to a Billy Graham rally back then, you were changed forever. There’s never been a preacher like him. He could fill football stadiums before anybody. He could fill Giants Stadium more than even the Giants football team. Seems like a long time ago. Long before Mick Jagger sang his first note or Bruce strapped on his first guitar — that’s some of the part of rock ’n’ roll that I retained. I had to. I saw Billy Graham in the flesh and heard him loud and clear.”

~Bob Dylan speaking to AARP magazine in 2015

BILL FLANAGAN: You really give a heroic performance of O’ LITTLE TOWN OF BETHLEHEM The way you do it reminds me a little of an Irish rebel song. There’s something almost defiant in the way you sing, “The hopes and fears of all the years are met in thee tonight.” I don’t want to put you on the spot, but you sure deliver that song like a true believer.
BOB DYLAN: Well, I am a true believer.

~Bob Dylan speaking to Bill Flanagan about the “Christmas in the Heart” album. The album benefits homeless charities and this interview was published in the UK in the “Big Issue” magazine which helps unemployed and homeless people to rehabilitate.

In 2009, Bob Dylan released an album of traditional Christmas songs. Since then I’ve written about it on three occasions and I thought that I had nothing more to say on the subject but then I read a couple of comments that I didn’t really understand and it got me to ruminating on the album again.

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A Comforting Old Wooden Chair (Foreword to a Bob Dylan book)

(Sometime over the last few years I was approached to write a “blurb” for the cover of a book of thoughts about Bob Dylan by an Australian author, Phil Mason. I’ve never met Phil but I’ve been privileged to help him with his research. By the time the book was approaching readiness, the idea had expanded and I wrote a foreword for the book which eventually appeared under the title of “A Voice From on High”. As well as reproducing that foreword here, I take the opportunity to recommend Mr Mason’s book which can be obtained through Amazon in softcover and for your kindle.)

 

“Well I’m sitting in church
In an old wooden chair
I knew nobody
Would look for me there”

Bob Dylan – Marchin’ to the City (Disc 3 of Tell Tale Signs 1989-2006)

In 1707, Isaac Watts, the Christian hymnwriter, wrote a lyric called “Marching to Zion” in which he referred to Zion as the beautiful city of God. Now, this was long before Zion had become a short-hand for some Western European political scheme to establish a physical homeland for disenfranchised Jewish people in the middle East (a scheme commonly referred to as Zionism). It is Watts looking forward to the end of an earthly journey where all the faithful people of God, Jew and Gentile, would be gathered in to an eternal home.

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