Passion and Betrayal – Bob Dylan – Tell Tale Signs reassessed

(This article is an expanded version of a review that I wrote when this album first came out. I was really unhappy about the way that the magazine, who commissioned me to do it, published it. They changed the title. They printed it in a way that removed paragraph breaks and they made editing changes to it without consultation. Needless to say, I stopped freelancing for them shortly afterwards. I revisited the article, originally just with the intention of restoring it to the way it was meant to be but then as I read it and listened to the music, I figured perhaps there was more to say. It concentrates on the spiritual and faith-based references in Mr Dylan’s lyrics but touches on other matters too.)

“Those old songs are my lexicon and prayer book.  All my beliefs come out of those old songs, literally, anything from `Let Me Rest on that Peaceful Mountain’ to `Keep on the Sunny Side.’ You can find all my philosophy in those old songs. I believe in a God of time and space, but if people ask me about that, my impulse is to point them back toward those songs. I believe in Hank Williams singing `I Saw the Light.’ I’ve seen the light, too.”

This was Bob Dylan speaking in 1997 – a period which provides 11 songs on his 3-disc set “Tell Tale Signs” (10 out-takes from his “Time Out of Mind” set and 1 live recording).

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A Comforting Old Wooden Chair (Foreword to a Bob Dylan book)

(Sometime over the last few years I was approached to write a “blurb” for the cover of a book of thoughts about Bob Dylan by an Australian author, Phil Mason. I’ve never met Phil but I’ve been privileged to help him with his research. By the time the book was approaching readiness, the idea had expanded and I wrote a foreword for the book which eventually appeared under the title of “A Voice From on High”. As well as reproducing that foreword here, I take the opportunity to recommend Mr Mason’s book which can be obtained through Amazon in softcover and for your kindle.)

 

“Well I’m sitting in church
In an old wooden chair
I knew nobody
Would look for me there”

Bob Dylan – Marchin’ to the City (Disc 3 of Tell Tale Signs 1989-2006)

In 1707, Isaac Watts, the Christian hymnwriter, wrote a lyric called “Marching to Zion” in which he referred to Zion as the beautiful city of God. Now, this was long before Zion had become a short-hand for some Western European political scheme to establish a physical homeland for disenfranchised Jewish people in the middle East (a scheme commonly referred to as Zionism). It is Watts looking forward to the end of an earthly journey where all the faithful people of God, Jew and Gentile, would be gathered in to an eternal home.

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Dylan in the 80s – worth more than a second glimpse… and his thoughts on music and film.

A little over a year ago I wrote an article about Bob Dylan’s “Saved” album which received a wide readership and was generally positively received:

https://twilightdawning.com/2016/02/15/bob-dylan-saved-reassessed/

My intention had been to write a similar article about the 1981 album “Shot of Love” and then to go on and write a series of articles or a book about the albums and tours since then looking particularly at Mr Dylan’s use of Old Testament and New Testament imagery but also other imagery he used commonly across many years which helps us to understand and appreciate his work.

Unfortunately, I got bogged down in the article on “Shot of Love” which is still not finished although I keep returning to it and tinkering with it. I hope it will be completed as I think I might have some important things to say but who knows when.

This week, as has become his habit when a new album is due. Dylan’s staff published on his website a new interview he has given to Bill Flanagan:

http://www.bobdylan.com/news/qa-with-bill-flanagan/

Mr Flanagan seems to be a writer that Bob particularly trusts and he has given him several important interviews over the past decade. This new one is intended to herald his latest album of standards, the 3-disc set “Triplicate”.

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