Where: Clapham Grand, London
When: 10th November 2011
Who: Fourplay
“Smooth jazz”. Just what does that mean?
Where: Clapham Grand, London
When: 10th November 2011
Who: Fourplay
“Smooth jazz”. Just what does that mean?
Where: Xoyo Club, London
When: 25th October 2011
Who: John Foxx and the Maths, Gazelle Twin, Tara Busch
30 years after the beginning of his solo career John Foxx is at the peak of his powers – and for the first time since Ultravox!, he is in a regular band context.
Sometimes you just hear something that is so unusual and innovative that you just know that there must be an audience out there for it…….
Something like that happened to me the first time that I heard Perkelt. I was wandering around Stratford-Upon-Avon trying to visualise in my head the structure of a Shakespearean production that I was eager to develop ……. when I heard some folk music.
What: A Midsummer Night’s Dream
Where: Stratford-Upon-Avon
When: 4th of August 2011
This is the third play that the Royal Shakespeare Company have performed from the Shakespearean canon since the launch of their new theatre – and to say that I did not approach the grim exterior of that new theatre with much enthusiasm would have been something of an understatement.
In the first quarter of 2011, 12 music albums that I have been involved in were released in different markets around the world. This has garnered a certain interest in my social circle at home but has not really made any other difference to my life, lifestyle or income.
So I’m walking through Greenwich village. Bleecker Street, once heart of the East Coast counter-culture. Once home to beatniks and hippies.
Well. here’s a date to mark in the journal. I get married today. Isobel and myself will exchange our vows at 2 pm this afternoon.
Date: 29th March 2011
Where: Ronnie Scott’s, Soho, London
Artist: Ron Carter’s Golden Striker Trio
I grew up in a coal mining town in Yorkshire. Descendant of a long line of coal miners. In 1979 / 80 or thereabouts, I would have been playing Subbuteo on my Mum’s kitchen table with my friend, Andrew Spence. He’d always be Barnsley, I’d always be Leeds. At the side of the pitch on a chair, I’d have a cassette player set up where I would force Andrew to listen to my taste in music. Around that time it would be Sad Cafe’s “Facades” album. He didn’t rate it. That year he got me into John Foxx, Gary Numan, David Bowie. I got him into precisely nothing. Last time, I was in Barnsley, I called in on him as a a surprise. I looked through his cd racks. I spotted “Aja” by Steely Dan which was one of the albums I would have recommended back in the day. He just said he’d got it because he’d read about it in the music press but he couldn’t see what all the fuss was about.
We packed up our tour bus and we toured the local schools. Having stolen the name “The Shakespearience” from a long-forgotten tourist project in Stratford-Upon-Avon, I produced a two-hour presentation of the highlights of “Romeo and Juliet”, “Merchant of Venice” and “Macbeth”, complete with narration to explain the full story. Largely directed by Richard Evans but with input from the whole acting company, we produced a truly collaborative venture which we performed to audiences aged from 9-15. Our largest round of applause (and standing ovation) came from a crowd of 220 fifteen year olds so we must have done something right.