The Yankees form slid a little in May. In April, they had been 16-10, May was 15-13. They also surrendered first place and dropped to second in the table. Let’s see who was bucking the trend and who was failing to keep their end up:
Tag Archives: darren hirst
Natural Progressions Update – History of the Eagles tour # 2
Some Random Thoughts……
Natural Progressions Update – The History of the Eagles tour
Eagles began their latest tour on the 6th of July and this time they will be joined by a special guest, Mr Bernie Leadon.
Bob Dylan: Religion and the Apocalypse in his new album, “Tempest”
Natural Progressions Update
There hasn’t been an issue of Natural Progressions, our Eagles magazine, for the better of part of two years.
There has been a whole range of reasons for this and the future of the whole publication is under review.
In the meantime, here is an update about what is happening in the world of the Eagles:
End of December, end of 2011
I’m pretty much a traditionalist when it comes to this time of year.
What happens when four play?
Where: Clapham Grand, London
When: 10th November 2011
Who: Fourplay
“Smooth jazz”. Just what does that mean?
Doin’ the Maths
Where: Xoyo Club, London
When: 25th October 2011
Who: John Foxx and the Maths, Gazelle Twin, Tara Busch
30 years after the beginning of his solo career John Foxx is at the peak of his powers – and for the first time since Ultravox!, he is in a regular band context.
Perkelt : Recalling the Czech-ered past
Sometimes you just hear something that is so unusual and innovative that you just know that there must be an audience out there for it…….
Something like that happened to me the first time that I heard Perkelt. I was wandering around Stratford-Upon-Avon trying to visualise in my head the structure of a Shakespearean production that I was eager to develop ……. when I heard some folk music.
“What Masques, What Dances Shall We Have, to wear away this long age of three hours?
What: A Midsummer Night’s Dream
Where: Stratford-Upon-Avon
When: 4th of August 2011
This is the third play that the Royal Shakespeare Company have performed from the Shakespearean canon since the launch of their new theatre – and to say that I did not approach the grim exterior of that new theatre with much enthusiasm would have been something of an understatement.
