What: A Christmas Cracker
Who: Riding Lights Theatre Company
Where: Ravenscourt Arts, Hammersmith, London
When: December 9 & 10th 2015
This was the second annual Christmas play / pantomime at the Ravenscourt Arts theatre in Hammersmith and saw the theatre once again join forces with the Riding Lights Theatre Company from York to bring joy to the lives of an audience who were mostly between the ages of 4 and 11 with a smattering of teachers and parents.
Cracker the Dog
What: Henry V by William Shakespeare
Who: The Royal Shakespeare Company
Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon
When: October 1st, 2015
Sometimes the Royal Shakespeare Company’s “devices” to make a particular production innovative and relevant to the modern audience don’t work. I’m amongst their sharpest critics when they don’t. Occasionally they do. Now whilst audiences members that I spoke to after the performance and during the interval were divided, I have to say I fall into the positive camp when it comes to this most recent production of Henry the Fifth.
What: Volpone or the Fox
Who: Ben Jonson
Where: The Swan Theatre, Stratford-Upon-Avon
When: July 16th, 2015
If I was going to see the Royal Shakespeare Company (RSC) at either The Royal Shakespeare Theatre or The Swan Theatre in Stratford-Upon-Avon or any of their increasingly frequent transfers to London, New York and the world at large, I would always buy a programme.
They are only £4 and reading between the lines, you will find an awful lot about the RSC’s goals in their production of the play at hand. You will then, in turn, get a feel for how their production will differ from the one you were hoping for (for some infamous examples, see my reviews of the 2011 production of The Merchant of Venice https://twilightdawning.com/2011/05/28/all-at-sea/ and the following year’s Troilus and Cressida https://twilightdawning.com/2012/08/13/remixed-shakespeare-for-the-hip-hop-generation/ amongst others). You will also find that sometimes the play production that they are presenting falls short of its own goals.
What: Othello by William Shakespeare
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: 11th June 2015
“We’ve tried to make it less ridiculous, so we’ve cut some lines… which leaves us open to the accusation that by doing so we have made it less sublime – we’ve cut some of the music of Othello”.
– Hugh Quashie (Othello) in conversation with the Stratford-Upon-Avon Herald.
It is indeed interesting when the principal actor in a Shakespeare production describes the plotline of one of the Bard’s plays as being ridiculous – so ridiculous that it is worth spoiling the rhythm and rhyme of the play to correct. One might even consider this a kind of arrogance.
Presenting Shakespeare for ages 10-14 (i.e. the ages before they start formally studying the writer for exams in school) is not an easy task but it is a challenge that I have set myself over these last six years and I have to say with some degree of success.
This year was our largest project to date. With 1600-1700 young people signed up to attend and with our troupe now firmly esconced in our own theatre at Ravenscourt Arts, we decided to strip back to basics and bring in a new cast to work with a new script. Time to take some risks.
In the second half of March, our theatre “Ravenscourt Arts” will host “The Shakespearience Too”.
This is the latest venture for our own production company “The Shakespearience” which Darren Hirst founded in 2009 to present an introduction to Shakespeare for young people of pre-GCSE school age.
When the Shakespearience first began to work together, it was actors, a tour bus and props but since our own theatre opened, life has been much easier.
What: Goose Chase
Who: Riding Lights Theatre Company
Where: Ravenscourt Arts
When: 9th December 2014
This was Ravenscourt Arts’ (a new venue in Hammersmith) first attempt to stage a play / pantomime for families with young children. This reviewer attended two performances on this date – a free daytime one for local school children which was packed and a evening one which carried a ticket price for which there was a good number of spare seats.
What: Much Ado About Nothing (promoted as “Love’s Labour’s Won”) by William Shakespeare
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: 20th November 2014
So I was back in Stratford-Upon-Avon for the second half of this strange coupling that Gregory Doran is determined to promote as “Love’s Labour’s Lost” and “Love’s Labour’s Won”. In reality, as I suggested in my earlier review these two plays share no common ground other than their humorous tone and those imposed by the director’s decision-making.
What: Henry IV Part II
When: May 15th 2014
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon.
The Royal Shakespeare Company last performed Henry IV Part II in 2008 as part of their “Histories” cycle. On that occasion it was necessary that they performed both Henry IV plays in tandem as they were performing all of Shakespeare’s history plays. Now in 2014, they have chosen to perform the two together again. I wonder at the wisdom of this decision.
We now have 7 years of Shakespeare reviews on this site – so many it can be hard to find what you’re looking for. I’ve done this handy guide to them all so you can follow the links below to any RSC production over the period. Where there has been more than one production of a particular play, they are listed separately and the date given. I’ll try to keep it updated annually.
twilightdawning 