What: Goose Chase
Who: Riding Lights Theatre Company
Where: Ravenscourt Arts
When: 9th December 2014
This was Ravenscourt Arts’ (a new venue in Hammersmith) first attempt to stage a play / pantomime for families with young children. This reviewer attended two performances on this date – a free daytime one for local school children which was packed and a evening one which carried a ticket price for which there was a good number of spare seats.
Who: John Shuttleworth
What: A Wee Ken to Remember
Where: Bloomsbury Theatre, London
When: 1st December 2014
Few artists have had a book published of their collected lyrics. Bob Dylan has had three (don’t try lifting the most recent one, you’ll do yourself a mischief), Paul Simon has had one, Sting has one (his Mum might have bought a copy) and so has John Shuttleworth. The difference between the first three and Shuttleworth is that John’s is self-published.
What: Evidence of Time Travel
Who: John Foxx & Steve D’Agostino
Where: BFI, Southbank, London
When: 21st November 2014
Over the last few weeks a staple on my cd player has been “Evidence of Time Travel” by John Foxx & Steve D’Agostino. It is an eclectic, tight, set of instrumentals which creates a mysterious air. It has echoes of Foxx’s early instrumentals like “Film One” but also traces of John’s more recent albums like “Tiny Colour Movies” and “My Lost City”. It also brings some new things to the table that are not present in any of those recordings. It is a very good release in a sequence of top drawer releases that Foxx and his cohorts have made in recent years. It is not his best but it stands up very well amongst his recent body of work.
What: Luna Rossa
Where: The Borderline, off Manette Street, London
When: 2nd November 2014
Luna Rossa are one of the new kids on the block in terms of live shows. This was their second live show on a three-date stretch which precedes the release of their second album “Secrets and Lies”. That such a little known band is able to pull a decent sized crowd is primarily due to their connection with one of rock music’s best kept quality secrets: Panic Room.
Mostly Hackett but things turned a little Autumnal too.
What: Steve Hackett
Supported by Mostly Autumn (acoustic)
Where: Hammersmith Apollo
When: 1 November 2014
It was February 1984 and a close friend and I went to see Genesis at the NEC in Birmingham. Collins, Rutherford, Banks. I’d been a Genesis fan for about six years. Loved “Seconds Out”, “Wind And Wuthering” and “Duke”. Didn’t like the production on “Trick of the Tail”. Found “….And Then There Were Three” a bit of a mixed bag. Then I discovered the Gabriel years and my perception of the band began to change. “Trespass”, “Nursery Cryme” and “Foxtrot” joined “Duke” as my favourite Genesis albums.
When I was a young child I remember seeing Otto Preminger play Mr Freeze in the ‘Batman’ TV series, a role he shared with George Sanders (who I would later enjoy seeing in earlier films as Simon Templar, the Saint) and Eli Wallach. I didn’t realise then that I would later come to appreciate his work as a director greatly. Films like Fallen Angel, The Man with the Golden Arm, Anatomy of a Murder, Laura and Angel Face are amongst my favourites of his. He challenged many taboos in the cinema and directed in a way that used lighting and musical soundtrack to wonderful effect.
A Tribute to Alvin Stardust
It would have been the late summer of 1974. I turned on the TV. BBC 1. And it turned out I turned on “Top of the Pops”. I’d really not got into watching Top of the Pops yet. My music listening mostly came from plugging in my cassette player in, in the corner of my Mum’s bedroom and recording the Sunday night Top 40 rundown from the BBC in the cassette player’s built-in radio. I didn’t record the whole thing – just the songs I didn’t already have and that I liked.
Anyway back to Top of the Pops. Solo performer, black leather. Singing, barely moving, slowly removing a black leather glove. Great song, riveting performance. Glam rock meets some kind of rock ‘n’ roll revival. I swear I learnt more in 3 minutes about image and the colour black than I did in the whole of the rest of my life so far. It was and remains a hugely influential performance for me, although I don’t think I’ve ever seen it again. It appears to be one of those editions of Top of the Pops which was wiped and has not been found in a private collection. Perhaps gone forever.
I got to thinking about it this week when I heard that Alvin Stardust had died.
Who: Daughters of Davis, supported by Lánre
Where: Ravenscourt Arts, Hammersmith, London
When: October 11th, 2014
About a year ago I heard an interview with a fairly major music industry figure who when asked what he would like to be doing if he wasn’t doing that interview, said he would like to be at home listen to the harmonies of the “Daughters of Davis”. Time to find out about the Daughters of Davis, I thought. Located them on the internet. Ordered their cd and dvd (I’m the archetypal guy who like to have the solid item in both hands. Not much time for mp3s here). Nearly a year later, it’s time to see them in concert. Can they cut the mustard live?
Who: Ian Hunter and the Rant Band
Where: Shepherd’s Bush Empire, London
When: October 4th 2014
So we gathered at the front of the stage with all the old dudes, waiting for the band to take the stage and wondering what Mr Hunter would serve up for us tonight. In truth, it was to prove fairly predictable. But predictable isn’t always a bad thing if it comes with passions — and this did. Ian told us he has nothing new to sell. So consequently, we were treated to a collection of his best solo moments, and all the great Mott the Hoople hits from long ago and a smattering of more obscure songs from both eras to please the most dedicated fans.
twilightdawning 