Glenn Frey
When I was at High School he seemed like the coolest guy on the whole planet.
Glenn Frey
When I was at High School he seemed like the coolest guy on the whole planet.
Who: Serafina Steer and BAS JAN
Where: King’s Place, King’s Cross, London
When: Friday 11th December 2015
It’s not often I’m lost for words. It’s about 33 years since I had my first article published in a newspaper and since then there have been many thousands of words – in books, in magazines, in newspapers and, in recent years, on the internet.
I’m not often lost for vocabulary.
But then I don’t often go to see concerts by one of my favourite contemporary artists and find that she has committed the first half of the show to a harp recital.
About a lifetime ago, my friend, Andrew, and I went to Leeds for the day and in the course of our shopping I brought home every Steely Dan album that had been released to that point, that I didn’t already own. By the time I had worked through albums like Pretzel Logic I was a fan for life. Indeed, Katy Lied joined Van Morrison and Bob Dylan in seeing me almost single-handed through some very tortured teenage years.
Flash forward to 2015 and my wonderful opportunity as I was invited to fly out to the U.S. and cover their residency at the Beacon in New York. I’d seen them a number of times but to see them on home territory playing with imagination and verve — well, this is the stuff that dreams are made of. So let’s take a look at their final night:
Who: Steely Dan
What: rockabye gollie angel tour 2015: “The Most Unforgettable Night of Whatever – Featuring Spectacular Musical Guests, Glorious Tunes and Riffage, and Whatever the Party Calls for! “
When: October 17th, 2015
Where: Beacon Theatre, New York, New York, USA
Who: Steely Dan
What: rockabye gollie angel tour 2015: “By Popular Demand” night
When: October 16th, 2015
Where: Beacon Theatre, New York, New York, USA
“The greatest damn Steely Dan band ever to come down the pipe”. So said Walter Becker on this “By Popular Demand” night at the Beacon. And you know what – in terms of live performance, – I think he is just about right. This was an outstanding night of music. The “By Popular Demand” thing might just have been a cool cover-up: I’m not really sure what was so different from some other nights on the tour – but slightly dodgy promotional tools aside, this was a very, very good performance indeed.
What could be better than New York in the Fall? Well, some things… Special reasons for being there. As it worked out, the Yankees went down in the first round of the playoffs and that meant no more live baseball for me for this year. Someone tried to persuade that a trip to Citi Field would be worthwhile but we all have our loyalties and so I passed on the Mets. Something else to do. And with me that usually means if not baseball then music.
Who: Steve Hackett
What: From Acolyte to Wolflight with a sprinkling of Genesis
Where: Shepherd’s Bush Empire, London
When: October 7th 2015
Last year, I was asked to review Steve Hackett’s “Genesis Revisited” project when it visited Hammersmith. I have to say that I was, initially, not that enthusiastic at the prospect. Hackett had been off my listening radar for quite a long time and I’m not a huge one for nostalgia and sentimentality. However, I had caught up with the former Genesis guitarist via his “Beyond the Shrouded Horizon” a little time before, which I had enjoyed and listening to “Genesis Revisited II” suggested he was been faithful to earlier versions of those songs so I accepted the commission and went along to spend an evening revisiting some past pleasures. After all, it couldn’t hurt, could it?
Well, I was suitably impressed and produced a quite exuberant review which also reflect on my personal journey with Genesis’ music which can be found here: https://twilightdawning.com/2014/11/04/time-lapse-in-hammersmith/
After the new tour was announced I was asked to once again go see the show when it came to my neighbourhood (this time to the slightly smaller Shepherd’s Bush Empire). I thought it would be an interesting contrast. The emphasis this time would be on Hackett’s solo career – both recent and early (he has a boxset of his early solo albums about to drop into the marketplace) and it would be interesting to see if he could cut it without relying too much on the songs of that old band he used to be in.
Who: Daughters of Davis
Where: Ravenscourt Arts, Ravenscourt Road, Hammersmith, London
When: October 3rd, 2015.
The season at Ravenscourt Arts ended at the beginning of the summer with an outstanding concert of acoustic music from Judie Tzuke which played to a sold-out venue. The show tonight had one of those things in common. This was truly a night of great acoustic music even if there were a number of vacant seats around. No accounting for that – last time Daughters of Davis played here, they played to a very healthy audience indeed so let’s concentrate on the music.
A little update on all things Eagles.
The latest leg of the “The History of the Eagles” tour came to an end on the 29th of July in the U.S. with a gig in Louisiana. The tour has been more of the same – if you liked the last couple of years you would have liked this. The band is now being put to bed for a while whilst the members turn their attention to solo projects.
Who: 10CC
What: Sheet Music and Greatest Hits Live
Where: Royal Albert Hall, London
When: 28th May 2015
When I was a boy, 10CC were often referred to, in the UK music press, as the British Steely Dan. I’ve never really understood that myself but given that I’ve recently been writing promotional material for some of the Steely Dan dates on their forthcoming U.S. tour, it seemed really appropriate that I should be sat in the second row of 10CC’s Royal Albert Hall gig writing a review of their show.
Who: Sparks & the Heritage Orchestra (conducted by Jules Buckley)
What: Kimono My House (40th Anniversary Performance)
Where: Barbican Hall. The Barbican Centre, Silk Street, London
When: 19th December 2014
There have been various rock bands down the years who have performed albums and other projects with an orchestra (Deep Purple and Emerson, Lake and Palmer have done whole shows, Eagles used an orchestra on certain sections of their “Hotel California” tour, for example) but for a band like Sparks who are regarded as more of a pop outfit a show like tonight was quite unusual.
Sparks, of course, are an underestimated outfit amongst large sections of the general public and could be said to only really understood by their dedicated band of followers.