It’s Cheaper Than Paintings ….. And Doesn’t Need Explaining

Who: Sparks & the Heritage Orchestra (conducted by Jules Buckley)

What: Kimono My House (40th Anniversary Performance)

Where: Barbican Hall. The Barbican Centre, Silk Street, London

When: 19th December 2014

There have been various rock bands down the years who have performed albums and other projects with an orchestra (Deep Purple and Emerson, Lake and Palmer have done whole shows, Eagles used an orchestra on certain sections of their “Hotel California” tour, for example) but for a band like Sparks who are regarded as more of a pop outfit a show like tonight was quite unusual.

Sparks, of course, are an underestimated outfit amongst large sections of the general public and could be said to only really understood by their dedicated band of followers.

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Chasing that Goose!

What: Goose Chase

Who: Riding Lights Theatre Company

Where: Ravenscourt Arts

When: 9th December 2014

This was Ravenscourt Arts’ (a new venue in Hammersmith) first attempt to stage a play / pantomime for families with young children. This reviewer attended two performances on this date – a free daytime one for local school children which was packed and a evening one which carried a ticket price for which there was a good number of spare seats.

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A Monday Night to Remember

Who: John Shuttleworth

What: A Wee Ken to Remember

Where: Bloomsbury Theatre, London

When: 1st December 2014

Few artists have had a book published of their collected lyrics. Bob Dylan has had three (don’t try lifting the most recent one, you’ll do yourself a mischief), Paul Simon has had one, Sting has one (his Mum might have bought a copy) and so has John Shuttleworth. The difference between the first three and Shuttleworth is that John’s is self-published.

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Evidence of …….Disappointment

What: Evidence of Time Travel

Who: John Foxx & Steve D’Agostino

Where: BFI, Southbank, London

When: 21st November 2014

Over the last few weeks a staple on my cd player has been “Evidence of Time Travel” by John Foxx & Steve D’Agostino. It is an eclectic, tight, set of instrumentals which creates a mysterious air. It has echoes of Foxx’s early instrumentals like “Film One” but also traces of John’s more recent albums like “Tiny Colour Movies” and “My Lost City”. It also brings some new things to the table that are not present in any of those recordings. It is a very good release in a sequence of top drawer releases that Foxx and his cohorts have made in recent years. It is not his best but it stands up very well amongst his recent body of work.

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Panic? Not quite…

What: Luna Rossa

Where: The Borderline, off Manette Street, London

When: 2nd November 2014

Luna Rossa are one of the new kids on the block in terms of live shows. This was their second live show on a three-date stretch which precedes the release of their second album “Secrets and Lies”. That such a little known band is able to pull a decent sized crowd is primarily due to their connection with one of rock music’s best kept quality secrets: Panic Room.

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Time Lapse in Hammersmith

Mostly Hackett but things turned a little Autumnal too.

What: Steve Hackett

           Supported by Mostly Autumn (acoustic)

Where: Hammersmith Apollo

When: 1 November 2014

It was February 1984 and a close friend and I went to see Genesis at the NEC in Birmingham. Collins, Rutherford, Banks. I’d been a Genesis fan for about six years. Loved “Seconds Out”, “Wind And Wuthering” and “Duke”. Didn’t like the production on “Trick of the Tail”. Found “….And Then There Were Three” a bit of a mixed bag. Then I discovered the Gabriel years and my perception of the band began to change. “Trespass”, “Nursery Cryme” and “Foxtrot” joined “Duke” as my favourite Genesis albums.

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Stay with Me, Otto Preminger, Bob Dylan and The Cardinal, oh and Batman.

When I was a young child I remember seeing Otto Preminger play Mr Freeze in the ‘Batman’ TV series, a role he shared with George Sanders (who I would later enjoy seeing in earlier films as Simon Templar, the Saint) and Eli Wallach. I didn’t realise then that I would later come to appreciate his work as a director greatly. Films like Fallen Angel, The Man with the Golden Arm, Anatomy of a Murder, Laura and Angel Face are amongst my favourites of his. He challenged many taboos in the cinema and directed in a way that used lighting and musical soundtrack to wonderful effect.

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British Soul

Who: Daughters of Davis, supported by Lánre

Where: Ravenscourt Arts, Hammersmith, London

When: October 11th, 2014

About a year ago I heard an interview with a fairly major music industry figure who when asked what he would like to be doing if he wasn’t doing that interview, said he would like to be at home listen to the harmonies of the “Daughters of Davis”. Time to find out about the Daughters of Davis, I thought. Located them on the internet. Ordered their cd and dvd (I’m the archetypal guy who like to have the solid item in both hands. Not much time for mp3s here). Nearly a year later, it’s time to see them in concert. Can they cut the mustard live?

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