Salesman in Stratford

vWhat: Death of A Salesman by Arthur Miller

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 24th April 2015

There are more stage directions at the beginning of Arthur Miller’s “Death of A Salesman” then there are in an entire play by William Shakespeare. And that is before you get to the first spoken line in the script. The stage directions continue throughout the play – in not such an elongated way – but still extremely detailed. Even the way the actors are to deliver their lines are specified by the playwright. It is clear that there has been a theatrical revolution since Shakespeare’s day and by Miller’s early period. The question is how that revolution is applied now to theatre nearly 70 years after “…Salesman”‘s debut

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The Shakespearience Too!

In the second half of March, our theatre “Ravenscourt Arts” will host “The Shakespearience Too”.

This is the latest venture for our own production company “The Shakespearience” which Darren Hirst founded in 2009 to present an introduction to Shakespeare for young people of pre-GCSE school age.

When the Shakespearience first began to work together, it was actors, a tour bus and props but since our own theatre opened, life has been much easier.

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Chasing that Goose!

What: Goose Chase

Who: Riding Lights Theatre Company

Where: Ravenscourt Arts

When: 9th December 2014

This was Ravenscourt Arts’ (a new venue in Hammersmith) first attempt to stage a play / pantomime for families with young children. This reviewer attended two performances on this date – a free daytime one for local school children which was packed and a evening one which carried a ticket price for which there was a good number of spare seats.

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A Monday Night to Remember

Who: John Shuttleworth

What: A Wee Ken to Remember

Where: Bloomsbury Theatre, London

When: 1st December 2014

Few artists have had a book published of their collected lyrics. Bob Dylan has had three (don’t try lifting the most recent one, you’ll do yourself a mischief), Paul Simon has had one, Sting has one (his Mum might have bought a copy) and so has John Shuttleworth. The difference between the first three and Shuttleworth is that John’s is self-published.

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…I was born to speak all mirth and no matter…

What: Much Ado About Nothing (promoted as “Love’s Labour’s Won”) by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 20th November 2014

So I was back in Stratford-Upon-Avon for the second half of this strange coupling that Gregory Doran is determined to promote as “Love’s Labour’s Lost” and “Love’s Labour’s Won”. In reality, as I suggested in my earlier review these two plays share no common ground other than their humorous tone and those imposed by the director’s decision-making.

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From Women’s Eyes This Doctrine I Derive

What: Love’s Labour’s Lost by William Shakespeare

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon

When: 23rd October 2014

Gregory Doran, the new artistic director of the Royal Shakespeare company, has barely put a foot wrong since he took over the role – and it has to be said that prior to the new appointment there had been a certain loss of direction. But in this new production, which I think is very solid and good, he seems to have based some of his thinking about it on a doubtful premise.

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Tomorrow Thou Must Go

What: The Two Gentlemen of Verona by William Shakespeare

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

When: July 17, 2014

The programme, which you can purchase for £4 at the theatre door, makes much of the fact that this is one of the very few times that the Royal Shakespeare Company (RSC) has staged “The Two Gentlemen of Verona” in recent years.

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Fare you well, Falstaff. I, in my condition, shall better speak of you.

What: Henry IV Part II

When: May 15th 2014

Where: Royal Shakespeare Theatre, Stratford-Upon-Avon.

The Royal Shakespeare Company last performed Henry IV Part II in 2008 as part of their “Histories” cycle. On that occasion it was necessary that they performed both Henry IV plays in tandem as they were performing all of Shakespeare’s history plays. Now in 2014, they have chosen to perform the two together again. I wonder at the wisdom of this decision.

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Shakespeare Reviews

We now have 7 years of Shakespeare reviews on this site – so many it can be hard to find what you’re looking for. I’ve done this handy guide to them all so you can follow the links below to any RSC production over the period. Where there has been more than one production of a particular play, they are listed separately and the date given. I’ll try to keep it updated annually.

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“…….Do so, for it is worth the listening to”

What: Henry IV Part 1 by William Shakespeare

Where: The Royal Shakespeare Theatre, Stratford-Upon-Avon

When: April 24th 2014

The Royal Shakespeare Company are publicising Henry IV Parts 1 & 2 as Shakespeare’s finest two plays. I can’t say I agree. Such a claim would make King Lear & Macbeth blush. However, they may well be the point where Shakespeare’s three stylistic modes best meet.

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