Who: John Shuttleworth
What: A Wee Ken to Remember
Where: Bloomsbury Theatre, London
When: 1st December 2014
Few artists have had a book published of their collected lyrics. Bob Dylan has had three (don’t try lifting the most recent one, you’ll do yourself a mischief), Paul Simon has had one, Sting has one (his Mum might have bought a copy) and so has John Shuttleworth. The difference between the first three and Shuttleworth is that John’s is self-published.
What: Evidence of Time Travel
Who: John Foxx & Steve D’Agostino
Where: BFI, Southbank, London
When: 21st November 2014
Over the last few weeks a staple on my cd player has been “Evidence of Time Travel” by John Foxx & Steve D’Agostino. It is an eclectic, tight, set of instrumentals which creates a mysterious air. It has echoes of Foxx’s early instrumentals like “Film One” but also traces of John’s more recent albums like “Tiny Colour Movies” and “My Lost City”. It also brings some new things to the table that are not present in any of those recordings. It is a very good release in a sequence of top drawer releases that Foxx and his cohorts have made in recent years. It is not his best but it stands up very well amongst his recent body of work.
What: Much Ado About Nothing (promoted as “Love’s Labour’s Won”) by William Shakespeare
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: 20th November 2014
So I was back in Stratford-Upon-Avon for the second half of this strange coupling that Gregory Doran is determined to promote as “Love’s Labour’s Lost” and “Love’s Labour’s Won”. In reality, as I suggested in my earlier review these two plays share no common ground other than their humorous tone and those imposed by the director’s decision-making.
What: Luna Rossa
Where: The Borderline, off Manette Street, London
When: 2nd November 2014
Luna Rossa are one of the new kids on the block in terms of live shows. This was their second live show on a three-date stretch which precedes the release of their second album “Secrets and Lies”. That such a little known band is able to pull a decent sized crowd is primarily due to their connection with one of rock music’s best kept quality secrets: Panic Room.
Mostly Hackett but things turned a little Autumnal too.
What: Steve Hackett
Supported by Mostly Autumn (acoustic)
Where: Hammersmith Apollo
When: 1 November 2014
It was February 1984 and a close friend and I went to see Genesis at the NEC in Birmingham. Collins, Rutherford, Banks. I’d been a Genesis fan for about six years. Loved “Seconds Out”, “Wind And Wuthering” and “Duke”. Didn’t like the production on “Trick of the Tail”. Found “….And Then There Were Three” a bit of a mixed bag. Then I discovered the Gabriel years and my perception of the band began to change. “Trespass”, “Nursery Cryme” and “Foxtrot” joined “Duke” as my favourite Genesis albums.
What: Love’s Labour’s Lost by William Shakespeare
Where: Royal Shakespeare Theatre, Stratford-Upon-Avon
When: 23rd October 2014
Gregory Doran, the new artistic director of the Royal Shakespeare company, has barely put a foot wrong since he took over the role – and it has to be said that prior to the new appointment there had been a certain loss of direction. But in this new production, which I think is very solid and good, he seems to have based some of his thinking about it on a doubtful premise.
As we move on to the second half of our survey of the Yankees’ performance in September, we find a fairly surprising picture amongst the pitchers. Whilst the team averaged giving up between 3 and 4 runs a game which is pretty competitive, more surprising was that those who had been successful prior to September struggled and some new faces were successful.
September was never going to be an easy month for the Yankees. On one hand, they had to contend with the grand parade that was associated with the retirement of the Captain, Derek Jeter. On the other, they had to make up sufficient games to challenge for a wildcard. It would have proved too much for most teams but for the Yankees who were already over-performing given the weakness of their batting lineup, it seemed impossible. And so it was, they achieved a 14-13 record on the month whilst giving Jeter the send-off he deserved. One target achieved, the other not. But perhaps this was for the best – they would have probably embarrassed themselves in the post-season. Let’s look at who did what:
Who: Daughters of Davis, supported by Lánre
Where: Ravenscourt Arts, Hammersmith, London
When: October 11th, 2014
About a year ago I heard an interview with a fairly major music industry figure who when asked what he would like to be doing if he wasn’t doing that interview, said he would like to be at home listen to the harmonies of the “Daughters of Davis”. Time to find out about the Daughters of Davis, I thought. Located them on the internet. Ordered their cd and dvd (I’m the archetypal guy who like to have the solid item in both hands. Not much time for mp3s here). Nearly a year later, it’s time to see them in concert. Can they cut the mustard live?
Who: Ian Hunter and the Rant Band
Where: Shepherd’s Bush Empire, London
When: October 4th 2014
So we gathered at the front of the stage with all the old dudes, waiting for the band to take the stage and wondering what Mr Hunter would serve up for us tonight. In truth, it was to prove fairly predictable. But predictable isn’t always a bad thing if it comes with passions — and this did. Ian told us he has nothing new to sell. So consequently, we were treated to a collection of his best solo moments, and all the great Mott the Hoople hits from long ago and a smattering of more obscure songs from both eras to please the most dedicated fans.
